Appleton's Cyclopedia of American Biography, edited by James
Grant Wilson, John Fiske and Stanley L. Klos. Six volumes, New York: D. Appleton
and Company, 1887-1889 and 1999. Virtualology.com warns that these 19th Century
biographies contain errors and bias. We rely on volunteers to edit the historic
biographies on a continual basis. If you would like to edit this biographyplease
submit a rewritten biography in text form.
If acceptable, the new biography will be published above the 19th Century
Appleton's Cyclopedia Biography citing the volunteer editor
Virtual American Biographies
Over 30,000 personalities
with thousands of 19th Century illustrations, signatures, and exceptional life
stories. Virtualology.com
welcomes editing and additions to the
biographies. To become this site's editor or a contributor
Click Here
or e-mail Virtualology here.
DAVENPORT, Adolphus Hoyt, actor, born in Stamford, Connecticut, 4 August 1828 ; died in New Orleans, La., 22 October 1873. An early fondness for the stage influenced him to become an actor, and, transposing his name, which was Adolphus Davenport Hoyt, he became known as "Dolly Davenport." His first appearance was as Willis, in " Paul Pry," at the Baltimore athenaeum during 1848, and his success was such that he was soon entrusted with the role of Claude Melnotte, which he played to Mrs. W. H. Russell's (now Mrs. John Hoey) Pan-line. At the solicitation of his parents, he studied law with Homer H. Stewart, of New York, and, after two years' preparation, was admitted to the bar. But he soon reappeared on the stage, and played in Wallack's old theatre, for the benefit of David S. Palmer, as Box in "Box and Cox." Early in 1853 he appeared as Montano in "Othello," and as Captain Charles in "Who Speaks First +." at the old Broadway theatre. His first appearance in Philadelphia was at the old Chestnut Street theatre, and he was a member of the company during 1853-'4. Subsequently he was a member of the Walnut Street theatre's company, and played there during the season of 1855-'6. He then drifted southward, and acted principally in southern cities. He was manager of the Mobile theatre during 1872, and was connected with Bidwell's academy of music.
Unauthorized Site:
This site and its contents are not affiliated, connected,
associated with or authorized by the individual, family,
friends, or trademarked entities utilizing any part or
the subject's entire name. Any official or affiliated
sites that are related to this subject will be hyper
linked below upon submission
and Evisum, Inc. review.
Please join us in our mission to incorporate The Congressional Evolution of the United States of America discovery-based curriculum into the classroom of every primary and secondary school in the United States of America by July 2, 2026, the nation’s 250th birthday. , the United States of America: We The
People. Click Here