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Appleton's Cyclopedia of American Biography, edited by James Grant Wilson, John Fiske and Stanley L. Klos. Six volumes, New York: D. Appleton and Company, 1887-1889 and 1999. Virtualology.com warns that these 19th Century biographies contain errors and bias. We rely on volunteers to edit the historic biographies on a continual basis. If you would like to edit this biography please submit a rewritten biography in text form . If acceptable, the new biography will be published above the 19th Century Appleton's Cyclopedia Biography citing the volunteer editor.

 

 



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Alexander Hay Ritchie

RITCHIE, Alexander Hay, artist, born in Glasgow, Scotland, 14 January, 1822. He studied drawing under Sit' William Allan at the Royal institution, receiving a premium during the first year. In 1841 he came to New York, whence, after several years, he removed to Brooklyn, where he has since resided. He was elected an associate of the National academy in 1863 and an academician in 1871, and has exhibited frequently at the academy since 1848. Mr. Ritchie is known both as a painter and as an engraver. His works in oil include "Mercy knocking at the Gate" (1860); " Fitting out Moses for the Fair" (1862)" "Death of Lincoln" (1869); "Baby, who's that?" (1871); and numerous portraits, among which are those of Professor Charles Hodge (1863) and Dr. James McCosh (1870). Among his numerous engravings, mostly executed in the mezzo-tinto manner, are "Amos Kendall "" " Mercy's Dream " (1850)" " George Washington," after a painting by Peter F. Rothermel (1852)" and " Lady Washington's Reception-Day," after Daniel Huntington" " On the March to the Sea," after Felix O. C. Darley (1868)" and "Henry Clay" (1848), "Washington and his Generals," and "Death of Lincoln," after his own paintings. He has engraved a large number of portraits.

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