Appleton's Cyclopedia of American Biography, edited by James
Grant Wilson, John Fiske and Stanley L. Klos. Six volumes, New York: D. Appleton
and Company, 1887-1889 and 1999. Virtualology.com warns that these 19th Century
biographies contain errors and bias. We rely on volunteers to edit the historic
biographies on a continual basis. If you would like to edit this biographyplease
submit a rewritten biography in text form.
If acceptable, the new biography will be published above the 19th Century
Appleton's Cyclopedia Biography citing the volunteer editor
Virtual American Biographies
Over 30,000 personalities
with thousands of 19th Century illustrations, signatures, and exceptional life
stories. Virtualology.com
welcomes editing and additions to the
biographies. To become this site's editor or a contributor
Click Here
or e-mail Virtualology here.
BROWN, George Loring, painter, born in Boston, Massachusetts, 2 February, 1814. He began to draw when eight years old, and was allowed to cultivate his talent. He went to the Franklin school, won the silver medal, and at twelve years of age was apprenticed to a wood-engraver. Experimenting with colors, his efforts attracted the attention of an artist, and he was introduced to Mr. Cushman, a wealthy merchant. Young Brown modestly asked for $100, with which to go to Europe, which sum Mr. Cushman advanced, and he set sail. On reaching Antwerp he had but $25 left, but borrowed $15 more from the captain of the brig, and worked his way to London, where he was befriended by Mr. Cheeney, the American engraver, until after ten months he had a remittance from home. He spent two years in close study, and then returned to Boston, where he opened a studio, and studied under Washington Allston. He went abroad again in 1840, and studied in Paris under Eugene Isabey. He spent twenty years in Antwerp, Rome, Florence, Paris, and London, and returned to the United States in 1860, with a high reputation as a landscape painter at home and abroad. Among his more important pictures are "The Bay of New York" (1860), presented to the prince of Wales, as a memento of his visit to this country, by a number of New York gentlemen; " The Crown of New England" (1861), purchased from the artist by the prince of Wales; "Venice"; "Sunset. Genoa" ; "Niagara by Moonlight" (1876) "Capri" (1878); "Doge's Palace at Sunset" (1881); "Sunrise, Venice" (1882); and "Doge's Palace at Sunrise" (1885).
Unauthorized Site:
This site and its contents are not affiliated, connected,
associated with or authorized by the individual, family,
friends, or trademarked entities utilizing any part or
the subject's entire name. Any official or affiliated
sites that are related to this subject will be hyper
linked below upon submission
and Evisum, Inc. review.
Please join us in our mission to incorporate The Congressional Evolution of the United States of America discovery-based curriculum into the classroom of every primary and secondary school in the United States of America by July 2, 2026, the nation’s 250th birthday. , the United States of America: We The
People. Click Here