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Appleton's Cyclopedia of American Biography, edited by James Grant Wilson, John Fiske and Stanley L. Klos. Six volumes, New York: D. Appleton and Company, 1887-1889 and 1999. Virtualology.com warns that these 19th Century biographies contain errors and bias. We rely on volunteers to edit the historic biographies on a continual basis. If you would like to edit this biography please submit a rewritten biography in text form . If acceptable, the new biography will be published above the 19th Century Appleton's Cyclopedia Biography citing the volunteer editor.

 

 



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Johannes Adam Oertel

OERTEL, Johannes Adam, artist, born in Furth, near Nuremberg, Bavaria, 3 November, 1823. He studied art in Nuremberg and Munich, but devoted himself chiefly to engraving until 1848, when he came to the United States and taught for a time in Newark, New Jersey In 1857 he removed to Madison, New Jersey, where he painted the "Lament of the Fallen Spirits" and "Redemption." About this time he was invited to assist in preparing new decorations for the National capitol. In 1861 he transferred his studio to Westerly, Rhode Island, where he painted "Father Time and his Family" and "The Final Harvest" (1862);" The Dispensation of the Promise and the Law," containing 150 figures (1863); "Walk to Emmaus," "The Walk to Gethsemane," "Easter Morning," "Magdalen at the Sepulchre," "The Rock of Ages," and others (1868). The last-named picture was reproduced by chromo-lithography, and sold extensively both in this country and in England. During life civil war Mr. Oertel accompanied the Army of Virginia under General Burnside. His " Virginia Turnpike" and other landscapes were the fruit of his military experience. Besides his paintings he has produced several carved-wood altar-pieces, among them an elaborate altar and reredos for the Church of the Incarnation, Washington, D.C. While residing at Westerly he prepared himself for orders in the Protestant Episcopal church, and he was made deacon in 1865, and subsequently presbyter. He has since confined himself almost entirely to the domain of Christian art, and painted pictures that he presented to churches in Glen Cove, New York, New York city, Washington, D. C., North Carolina, and elsewhere. After having charge of two parishes in the latter state and spending a year in Florida, Mr. Oertel was invited to fill the chair of Christian art at the University of the South, Sewanee, Tennessee, which he now (1888'i occupies.

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